Every myth has roots. Every story carries echoes of forgotten histories and deeper patterns. For me, writing Frequencies of the Damned was never just about telling tales, it was about exploring thresholds of awareness, where perception blurs, reality bends, and imagination becomes a way of knowing.

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My years with Ingo gave me rare access to his experiments, artistic processes, and uniquely symbolic approach to life. Those experiences impressed upon me the idea that consciousness is vast, multidimensional, and largely unexplored. The novellas carry threads of that influence -- perceptual research, speculative reflections on non-human intelligences, dialogues with plants and signals. But what moves me most is not the data or protocols. It’s the questions they leave behind: How do we know what we know? Where does awareness begin and end? How much of reality do we filter out before we even notice it’s there?

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Frequencies of the Damned is my way of carrying those questions forward. In weaving these stories and creating the materials on this website, my aim is not to provide answers but to open doorways -- to invite readers to reconsider what’s hidden, what’s possible, and what’s already alive within us.